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Shipwrecked: 24 x 24 mixed media painting of the Peter Iredale, a ship wrecked and abandoned on the Oregon Coast in 1906, by Joan Pechanec

Morning in Monument Valley: 12 x 24 original oil painting by Joan Pechanec of a Utah desert scene

Ocean Dreams: 16 x 20 mixed media painting by Joan Pechanec depicting a softly multicolored beach scene at night

Another Morning at the Falls: 12 x 24 mixed media painting by Joan Pechanec of Hedge Creek Falls, a waterfall in Northern California

Dusk, 8 x 10 mixed media painting by Joan Pechanec, an abstracted landscape inspired by the light on rural fields just before dark.

Beneath the Surface (Sanctuary Series) Oil Image Size: 14” x 11” $275 Includes Frame “Beneath the Surface” was inspired by Jungian concepts of a fertile underworld, a fragment of the collective unconscious. This painting is included in my Sanctuary series. This series was generated by a call to escape everyday reality into another realm. Each image represents a different form of transcendence or detachment.

Mirage Oil Image Size: 14” x 11” $275 Includes Frame My oil painting, “Mirage,” was inspired by a trip to the magical town of Guardia in Algeria, built on 7 hills overlooking an oasis in the Sahara, site of a Bedouin camel market. This painting is included in my Sanctuary series. This series was generated by a call to escape everyday reality into another realm. Each image represents a different form of transcendence or detachment.

Jewelled Woodland Oil Painting by Joan Pechanec Image Size: 16 x 20 $475 Includes Frame

Two-toned Truck, Original Oil Painting by Joan Pechanec, 12 x 16 unframed (17 x 20 1/2”Framed) $350 This charming truck is now parked in Dunsmuir. I adore the color combination, red and turquoise, and the patch-work effect of the new parts and the aging, oxidized sections! This is a one-of-a-kind vintage vehicle. What stories could it tell?

Old Mine Building, Original Oil Painting by Joan Pechanec, 16” X 20” unframed 22” x 26” framed $375 I saw this abandoned mine building in the middle of aspen groves in the Canadian Rockies. I was drawn to the weathered blue-grey wood of the old structure tucked in between the intense yellow, red, and orange tones of the trees. It must have once been a thriving operation.

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